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Cover of issue #204

Current Issue: 50th Anniversary Interventions (#204)

Canadian Literature's Spring 2010 issue (CL#204), "50th Anniversary Interventions", looks back on Canadian Literature's 50th Anniversary Gala, and celebrates Canadian culture with papers about Duncan Campbell Scott, book policies, copyright, civil war poetry, and new Québecois literature.

CanLit Poets

Carole Langille

I am the author of three books of poetry, two children's books, and the short story collection, When I Always Wanted Something. My second book, In Cannon Cave, was nominated for The Governor General's Award and The Atlantic Poetry Prize. Six poems from my third book, Late in a Slow Time, were put to music by the composer Chan Ka Nin, in a piece he also calls Late in a Slow Time, and performed at Sound Symposium in Newfoundland, in Halifax and at the Ottawa International Chamber Music Festival. It was also played on the CBC's program "Two New Hours." I currently live in Black Point, Nova Scotia and teach poetry at Dalhousie University.

Poems

Questions & Answers

Is there a specific moment that inspired you to pursue poetry?

I began writing poetry when I was very young. I've always been drawn to poetry. I don't know why I felt this pull at such an early age.

How/where do you find inspiration today?

I am most often inspired to write after reading poetry. Sometimes fiction or non-fiction will have this effect on me as well. That is why, for me, reading is so important. Sometimes I reread favourite poets to inspire me: Milosz, Elizabeth Bishop, Yehudi Amichai, Anthony Hecht, among others. A non-fiction book I read recently, Honey and Wolves by Susan Brind Morrow, created that space to reflect and write. From personal experience I can say, "If anyone wants to write poetry, then read lots of poetry and inspiring prose.

What is your writing process?

I don't write everyday. I need the various components of an experience to cook, internally, which takes time. But I need to make space so the writing can happen. By space I mean quiet, and a stretch of uninterrupted time.

What is your revision/editing process?

I write with pen and paper. After I get the first draft down, I type the poem on the computer. I save the first version and print it up. I like to get up early in the morning and look at the poem first thing, often when I'm still in bed. I make changes with pen, then change the version on the computer. I like to memorize the poem and recite it to myself when going to sleep. If there is a line I forget, it often is a weaker line which I'll address when I return to the poem. I can see flaws more easily when I memorize. I'm not consistent in this practice, but memorization is always effective for me.

Did you write poetry in high school? If yes, how did you get started? If no, why not?

I wrote poems in high school. I wrote poems in grade school.

When you were high school aged, what would have been helpful/motivating to hear from a published poet?

What keeps poets writing, at least what keeps me writing, is the desire to write a spectacular poem. If you love poetry, and keep writing, there is always the remote possibility of writing something astonishing. That's enough of a payoff. As Montaigne says, "Let us disentangle ourselves from those violent traps which pledge us to other things and which distance us from ourselves." Poetry is a way to do this.


MLA: Langille, Carole. CanLit Poets: Carole Langille. canlit.ca. Canadian Literature, 21 Apr. 2010. Web. 10 Sept. 2010.

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